A fictional story composed from an anonymous family archive of 1930’s Europe with two sisters who play, race, fight, kiss, and grow up together under the shadow of oncoming history.
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Cake and Steak excavates ‘girl training’ in the legacy of home movies and post-war American suburban culture. The project is imagined as a digi-novel in chapters.
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A short collaboration in NYC subways right after 9/11— envisioning the absence and paranoia of Metropolis. With Benton Bainbridge & Eric Rosenzveig.
DARK DARK is a ghost dance of narrative gesture melding four found story fragments: Noir, Western, Romance and Chase. The music of Ennio Morricone provocatively interacts with the images, tantalizing the audience with webs of memory, meaning and elusive folly.
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Found footage exploring public and private space, organized formally as a sonata, centered around work and issues of class: the divisions between home and public, owners and workers, saturation and flow, structure and improvisation.
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This video essay combines diary footage of St. Petersburg with archival material, accompanied by the voices of two young Russians who, through personal anecdote, describe the emotional, political, and economic transformations that have wrenched their society.
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Framed by footage of the encampment locally known as Dinkinsville on New York’s Lower East Side, where some of the homeless of Thompkins Square Park settled after the riots of June l991, the movie begins with the encampment's first night and ends with the fire and subsequent destruction of the lot in October of the same year. Applying rhythmic construction, poetic license and a generous eye to bodies in poverty, B/side documents a gritty vision of late 20th century urban life.
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Short songs chart erotic tales in an urban topology. Includes FISHTANK, SHIVER, KISS OF FIRE, 8 MILLION WAYS TO DIE, and FAINT CLUE. The myths of popular culture—romance and TV soaps— provide the motifs for the work which restructures memory-image-fragment to foreground the body against a mechanized landscape. In the shape of small stories, 8 Million rewrites women's drama.
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Tackles the formula fictions of afternoon television, dissecting gesture, subverting gender and weaving rhythmic dialogue with the help of the video insert controls. Original dialogue by Sarah Schulman, staring Marga Gomez, Carla Harryman, Susie Bright, Sede Mathews, Steve Benson and Aline Mayer in a series of comic reversals — targeting the family, psychotherapy and property — each of which appears simultaneously as commercial and villain.